Benedum Center, Pittsburgh, PA..... With a Morrissey concert, one always wonders whether it will take place at all--given Morrissey's well-documented history of shows cancelled at the last minute. So it was concerning when several recent of his concerts had to be scrapped due to credible death threats on the former Smiths frontman. But, it turned out not to be a concern and the show went on as scheduled. Morrissey was in fine voice but I had some issues with the setlist. Towards the end of the main set, I thought it's got to be bangers all the way down, but I was disappointed. Some deeper cuts, but more problematically, midtempo songs that didn't get the energy up except for the hardest-core of Moz-heads. There were a lot of people heading to the exits early, and my daughter (first time seeing him live) said to me at one point, "The music for each song sounds good but once he starts singing, they all sound the same." The last time I saw Morrissey , while a showcas...
Convention Hall, Asbury Park, NJ..... More so than any show I've been to in recent memory, this concert was not focused so much on the songs as it was on the performances. Most of the time when you go to a show, you're primarily motivated by an interest in one or many of the artist's songs. Concerts by jam-bands like the Grateful Dead or most blues musicians, on the other hand, are more performance oriented. You go to see the performance of the entire show more than simply to hear that song in a live setting. That's why Deadheads could stomach going to umpty-ump shows by the same band. This evening headlined by the Butthole Surfers at Convention Hall turned out--surprisingly--to be more of a performance show. Although certainly many concertgoers were motivated to go by some individual songs (notably the several popular singles by The Toadies or the Butthole's current hit "Pepper"), the real story was the sheer intensity of the Rev. Horton Heat's rockab...
State Theater, New Brunswick, NJ Sheik performed with a second guitarist, a bass player, and a percussionist. The sound mix was terrific. Very mellow, yet you could hear every note... As a sidebar, here's a 1996 interview I did with Sheik on his birthday (11/18): Mike: One of the things I love about your album is it's not just great music--songs, I mean--but also it's such a great sonic environment. Was that the kind of thing you heard in your head when you were composing the songs, or was this something that evolved in the studio? Duncan: Well, definitely my aesthetic comes from people like Brian Eno or David Sylvian or the later Talk Talk records. Whether they're electronically produced or they're acoustic-instrument produced, I still like these things that sound really organic and moody and have their own kind of darkness. That's always been a really important part of creating recordings for me. Mike: So when you have something like in "Reasons For Livin...
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