State Theater, New Brunswick, NJ Sheik performed with a second guitarist, a bass player, and a percussionist. The sound mix was terrific. Very mellow, yet you could hear every note... As a sidebar, here's a 1996 interview I did with Sheik on his birthday (11/18): Mike: One of the things I love about your album is it's not just great music--songs, I mean--but also it's such a great sonic environment. Was that the kind of thing you heard in your head when you were composing the songs, or was this something that evolved in the studio? Duncan: Well, definitely my aesthetic comes from people like Brian Eno or David Sylvian or the later Talk Talk records. Whether they're electronically produced or they're acoustic-instrument produced, I still like these things that sound really organic and moody and have their own kind of darkness. That's always been a really important part of creating recordings for me. Mike: So when you have something like in "Reasons For Livin...
World Cafe Live, Philadelphia, PA.... The Pixies were terrific, and definitely the most on-point performance of the three times I've seen them live to this point. They were pretty ferocious (I'm not sure if it had anything to do with the band being in the era of Paz Lenchantin on bass). I really enjoyed Real Estate and Laura Marling, and The Mavericks were fun as always. Nancy & Beth were alter egos for actors Megan Mullally and Stephanie Hunt, and late in their set, Nick Offerman (of Parks & Rec fame) came on stage beating a big bass drum strapped to his chest. Pixies Nick Offerman on bass drum Pixies setlist : All the Saints La La Love You Where Is My Mind? Winterlong Gouge Away Bel Esprit Classic Masher Wave of Mutilation Tenement Song All I Think About Now Caribou
The Haunt, Ithaca, NY..... The band was touring in support of their new album Moons of Jupiter . My college radio colleague Mike Stuto and I were trying to start a live, on-location concert series at our station, WICB. For several shows, we lugged an Otari 2-track reel-to-reel recorder down to The Haunt in downtown Ithaca and recorded the band's performance with a pair of microphones. The project didn't really last very long, however; the only bands I recall recording were Canada's The Grapes of Wrath, the Texas band Wild Seeds, and this one. As pretty much fly-by-the-seat-of-the-pants college radio types, we didn't contact anyone from the band or their label in advance to clear making these recordings. We would just show up early at the venue and ask the band and their tour manager if it was OK. I remember having to wait a while for the band to complete their soundcheck before I could ask them if it was OK to, essentially, bootleg their show for the local college r...
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